{"title":"Kasey Sealy","description":"\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0592\/3061\/7774\/t\/5\/assets\/KaseySealy1.gif?v=1629281261\" width=\"500\"\u003e\n\u003cp\u003e\n  \u003cbr\u003e\n\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14px;\"\u003e“My work is a direct influence of the impressionist style of painting with a direct hand eye co ordination in front of the subject trying to capture the subtleties of mood, light and atmosphere, always trying to avoid any formulation, sentimentality and cliché, giving the individual viewer a unique visual experience every time”. (Kasey)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cspan style=\"font-family: Arial,Helvetica,sans-serif;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cspan style=\"font-family: Arial,Helvetica,sans-serif;\"\u003eBorn in Forbes in 1961, Kasey began painting at the age of 17yrs in 1978 and has painted professionally since 1980.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cspan style=\"font-family: Arial,Helvetica,sans-serif;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cspan style=\"font-family: Arial,Helvetica,sans-serif;\"\u003eHe has had 6 solo exhibitions in London and has been represented at major London Art Fairs, such as ‘Olympia’ where a record price of 18,000 pounds was established for a major canvas in 2002.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cspan style=\"font-family: Arial,Helvetica,sans-serif;\"\u003eHe has been commissioned by the American Australian Association to provide works, painted and presented as awards to Greg Norman and Andrew Liveris, president of Dow Chemical Co USA, and Paul Anderson, ex CEO BHP and present CEO of Duke Energy in America.\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cspan style=\"font-family: Arial,Helvetica,sans-serif;\"\u003eCommissions for 2007 include Chip Goodyear, ex CEO BHP \u0026amp; James McInerney, Vice President of Boeing Air USA.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n  \u003cbr\u003e\n\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0592\/3061\/7774\/t\/5\/assets\/KaseySealy2.gif?v=1629281264\" width=\"500\"\u003e\n\u003cp\u003e\n  \u003cbr\u003e\n\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cspan style=\"font-family: Arial,Helvetica,sans-serif;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cspan style=\"font-family: Arial,Helvetica,sans-serif;\"\u003eHe still manages regular painting trips around Australia, as his love of the Australian bush is the source of much of his inspiration.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14px;\"\u003eHe was previously a regular lecturer at Charles Sturt University in Bathurst, but now holds tutorials for Art Society members, throughout Australia, and holds his own home tutorials in his studio.\u003c\/span\u003e\u003c\/p\u003e\n  \u003cbr\u003e\n\u003cp\u003e\n  \u003ca href=\"http:\/\/www.kaseysealy.com.au\/\"\u003e\u003cspan style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14px;\"\u003ewww.kaseysealy.com.au\u003c\/span\u003e\u003c\/a\u003e\n\u003c\/p\u003e","products":[{"product_id":"ultramarine-blue-michael-harding-113-40ml","title":"Ultramarine Blue Michael Harding (113)","description":"\u003cp\u003e\"\u003cstrong\u003eInorganic\u003c\/strong\u003e\u003cspan\u003e – \u003c\/span\u003e\u003cspan\u003eNo. 113 is an obviously beautiful mid-blue. The discovery in the 1820s of a Sodium Sulphosilicate compound, which had appeared as a mysterious blue deposit on soda-ash furnaces, was a liberating moment for financially challenged artists everywhere. Up to then the only available version of this compound was the often-unobtainable Lapis Lazuli ore, mined in Afghanistan. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eUltramarine has a high tint power, and our chosen shade produces strong green shade blue hues and makes wonderful violets with Magenta and the red Lake colours. It is also useful in greens and greys. The only chemical weakness is a recorded sensitivity to atmospherically borne acids, which can bleach it out. Ultramarine Blue is one of the more difficult paints to make, as it forms an intractable runny syrup when first ground into oil, which must then be stabilized with a small amount of wax.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e- Michael Harding\u003c\/span\u003e\u003c\/p\u003e","brand":"Michael Harding","offers":[{"title":"40ml","offer_id":48756108919013,"sku":"5060154040463","price":23.99,"currency_code":"AUD","in_stock":false},{"title":"225ml","offer_id":48756108951781,"sku":"5060154040449","price":101.39,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0789\/8585\/5205\/files\/ultra_e14dcdbc-b123-4bd7-aaf3-b6e3437e8a83.jpg?v=1775632460"},{"product_id":"transparent-oxide-red-michael-harding-220-40ml","title":"Transparent Oxide Red Michael Harding (220)","description":"\u003cp\u003e\"\u003cstrong\u003eInorganic\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e– This Iron Oxide has been used as a wood dye, and I realised that its capacity to enrich the grain of hardwood made it a wonderful candidate for paint making. My Transparent Red Oxide is an Iron Oxide manufactured to such a small pigment particle size that like its yellow counterpart, it possesses Lake-like characteristics. No. 220 has terrific tint power that produces wonderful results in mixes with yellows and brings gravity to mid-red tones. Mix it with phthalocyanine blue for an interesting surprise!\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e- Michael Harding\u003c\/span\u003e\u003c\/p\u003e","brand":"Michael Harding","offers":[{"title":"40ml","offer_id":48756130709733,"sku":"5060154041576","price":39.2,"currency_code":"AUD","in_stock":false},{"title":"225ml","offer_id":48756130742501,"sku":"5060154041552","price":173.39,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0789\/8585\/5205\/files\/transoxr_4a4539a4-a621-42bd-aa08-fb7cad4d812f.jpg?v=1775632284"},{"product_id":"stack-lead-white-michael-harding-703-40ml","title":"Stack Lead White Michael Harding (703)","description":"\u003cp\u003e\u003cspan\u003e\"Inorganic—I create this pigment myself, following a time-honoured process, in small, handmade batches.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMany art historians have noticed there is something in the nature of the Old Masters’ oil paints–particularly whites–that can’t be replicated by today’s paints because the method for making them has changed. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTo recreate the actual white pigment that would have been familiar to Rembrandt, Titian, and Vermeer, to name a few, I researched lead whites and the old Dutch stack process for many years. Prior to the industrial revolution, lead whites were made using a method that traces back to before the time of Christ. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Dutch found ways to scale the making of this paint without changing the underlying process in the 13th century. Using this historical technique, every particle of Stack Lead White created is different, so on a nanoscale, every conglomeration of pigment particles behaves differently. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThat’s the beauty of Stack Lead White. With industrially made pigments, every particle is identical, so conventional paints can’t be used to create the brush strokes of the whites from centuries ago.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e- Michael Harding\u003c\/span\u003e\u003c\/p\u003e","brand":"Michael Harding","offers":[{"title":"40ml","offer_id":48756147978469,"sku":"5060154043198","price":238.73,"currency_code":"AUD","in_stock":false},{"title":"250ml","offer_id":48756148011237,"sku":"5060154043334","price":981.72,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0789\/8585\/5205\/files\/sharding_e98ca626-be78-4699-9526-9b84519b4c4f.jpg?v=1775631799"},{"product_id":"lemon-yellow-michael-harding-108-40ml","title":"Lemon Yellow Michael Harding (108)","description":"\u003cp\u003e\"\u003cstrong\u003eInorganic\u003c\/strong\u003e\u003cspan\u003e – \u003c\/span\u003e\u003cspan\u003eSometimes known as Barium Yellow, as it is Barium Chromate. It was introduced into painting after the Lead Chromates, circa 1820. Unlike Lead Chromates, though, Barium has proven permanent and non-reactive. Most colourmen consider this yellow obsolete, and I’m probably the only one still making it. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBy itself, it’s an acidic looking yellow with weirdly green overtones. Its low tint and covering power mix with Magenta and the cooler reds to produce modulated greys artists sometimes seek for certain passages of flesh painting. This is the only yellow chrome paint that doesn’t discolour.\"\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e- Michael Harding\u003c\/span\u003e\u003c\/p\u003e","brand":"Michael Harding","offers":[{"title":"40ml","offer_id":48756820279525,"sku":"5060154040340","price":23.99,"currency_code":"AUD","in_stock":true},{"title":"225ml","offer_id":48756820312293,"sku":"5060154040326","price":101.39,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0789\/8585\/5205\/files\/lem-yel_2a913a6f-4ea6-490d-a810-1abc38d924cf.gif?v=1775628236"},{"product_id":"cadmium-red-light-michael-harding-503-225ml","title":"Cadmium Red Light Michael Harding (503)","description":"\u003cp\u003e\"\u003cstrong\u003eInorganic\u003c\/strong\u003e\u003cspan\u003e – A powerful orange shade red with the usual cadmium characteristics, Cadmium Red Light has high tint power and opacity. This red presents warm, almost fiery hues when mixed with a more transparent white.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e- Michael Harding\u003c\/span\u003e\u003c\/p\u003e","brand":"Michael Harding","offers":[{"title":"40ml","offer_id":48757092548837,"sku":"5060154042023","price":104.94,"currency_code":"AUD","in_stock":true},{"title":"225ml","offer_id":48757092581605,"sku":"5060154042009","price":411.93,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0789\/8585\/5205\/files\/CadRL_c276419d-e0f6-481a-b87a-25aaae1c4538.jpg?v=1775624457"},{"product_id":"alizarin-crimson-michael-harding-302-40ml","title":"Alizarin Crimson Michael Harding (302)","description":"\u003cp\u003e\"\u003cstrong\u003eOrganic\u003c\/strong\u003e\u003cspan\u003e – Alizarin Crimson is the oldest synthetic, organic lake introduced in 1868, and the only lake of the coal-tar lake range to have survived in use until the present. Before the end of the 19\u003csup\u003eth\u003c\/sup\u003e-century, other Lakes were found too impermanent, and some Amerian authorities frown on Alizarin because its lightfastness (II-III on the ASTM scale) doesn’t match that of more recent organic red pigments.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBut its clarity and subtly beautiful bluish undertones are unique; since its introduction, portraitists have prized its range of cool, rather smoky hues, which are well suited for Caucasian tones. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIf you have concerns about using Alizarin Crimson, try mixing transparent oxide red with magenta for “look-alike” oil paint, or use Alizarin Claret.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e- Michael Harding\u003c\/span\u003e\u003c\/p\u003e","brand":"Michael Harding","offers":[{"title":"40ml","offer_id":48757983314149,"sku":"5060154041699","price":54.5,"currency_code":"AUD","in_stock":false},{"title":"225ml","offer_id":48757983346917,"sku":"5060154041675","price":216.72,"currency_code":"AUD","in_stock":true},{"title":"1000ml","offer_id":48757983379685,"sku":"50601540416","price":630.27,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0789\/8585\/5205\/files\/Aliz_df004776-21f5-43ef-90a9-2a45faa86862.jpg?v=1775623335"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0789\/8585\/5205\/collections\/finalcoverKaseySealy.gif?v=1775696452","url":"https:\/\/seniorart.com.au\/collections\/kasey-sealy.oembed","provider":"Senior Art Supplies","version":"1.0","type":"link"}